殷家樑
殷家樑
Between the Light and Darkness
Wood Saw I, Maki’s Workshop, Kyoto 201 7 殷 家 樑 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Earth, Water, Fire, Myousyu’s studio, Kameoka 201 7 殷 家 樑 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Earth and Water II, enroute to Kameoka to visit Myousyu 殷 家 樑 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
 Drying Washi Paper II, Kurotani Village, Ayabe 201 7 殷 家 樑 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Crane, Nishimura’s Studio, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Wood Saw III, Maki’s Workshop, Kyoto 201 7 殷 家 樑 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
 Drying Washi Paper in the Sun, Kurotani Village 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  In the air, Kurotani Village, Ayabe 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Clouds, Usami Kakejiku Workshop, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
 Urushi Tree, Yakuno 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Charcoal, Onishi Seiwemon Museum, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Melting Pot, Yamamoto’s Studio, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
 Saw II, Maki’s Worshop, Kyot 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Shaving Metal, Yamamoto’s workshop, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Old Book of Shinto Rituals, Maki’s workshop, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
 Bound, Mitsuru’s workshop, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Iron Kettle Template, Onishi Seiwemon Museum, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Filtering Urushi, Nishimura’s Studio, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
 Large Camera for Making Printing Plates, Benrido Collotype Atelier, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Notes and Template, Onishi Seiwemon Museum, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Rhythm, Benrido Collotype Atelier, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
 Iron Kettle, Onishi Seiwemon Museum, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Knife for Cutting Tatami Straw, Mitsuru’s workshop, Kyoto 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |  Self / Family / Humanity / Nature / Sun 201 7 殷 家 樑 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
