Between the Light and Darkness
Wood Saw I, Maki’s Workshop, Kyoto 201 7 Yan Kallen 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Earth, Water, Fire, Myousyu’s studio, Kameoka 201 7 Yan Kallen 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Earth and Water II, enroute to Kameoka to visit Myousyu Yan Kallen 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Drying Washi Paper II, Kurotani Village, Ayabe 201 7 Yan Kallen 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Crane, Nishimura’s Studio, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Wood Saw III, Maki’s Workshop, Kyoto 201 7 Yan Kallen 594 x 841 mm (edition of 8 + 2 AP) 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Drying Washi Paper in the Sun, Kurotani Village 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | In the air, Kurotani Village, Ayabe 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Clouds, Usami Kakejiku Workshop, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Urushi Tree, Yakuno Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Charcoal, Onishi Seiwemon Museum, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Melting Pot, Yamamoto’s Studio, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Saw II, Maki’s Worshop, Kyot 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Shaving Metal, Yamamoto’s workshop, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Old Book of Shinto Rituals, Maki’s workshop, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Bound, Mitsuru’s workshop, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Iron Kettle Template, Onishi Seiwemon Museum, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Filtering Urushi, Nishimura’s Studio, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Large Camera for Making Printing Plates, Benrido Collotype Atelier, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Notes and Template, Onishi Seiwemon Museum, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Rhythm, Benrido Collotype Atelier, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |
Iron Kettle, Onishi Seiwemon Museum, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Knife for Cutting Tatami Straw, Mitsuru’s workshop, Kyoto 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered | Self / Family / Humanity / Nature / Sun 201 7 Yan Kallen 420 x 594 mm (edition of 8 + 2 AP) Archival pigment print on Awagami signed and numbered |